To celebrate 350 years of Bleiweißsteftmacherhandwerk [1]the craft of making pencils – Bleiweißsteft is what the Bleistift (German for pencil) was called during the 17th century the Franconian and Bavarian regional news reported live from Staedtler’s factory on 25 September 2012. The reports were only a few minutes long.
Dr. Konstantin Czeschka, Chief Technology & Production Officer, and Axel Marx, Managing Director, talked about the history of the pencil and included these interesting details:
The graphite used for pencil leads is ground to particles whose size is in the range of a micrometer, one millionth of a metre.
In 1900 there where 23 companies manufacturing pencils in Nuremberg. They employed 10,000 employees.
One machine, shown on TV, can produce 1000 leads per minute.
The pencil leads are heated to 1000°C
The leads seem to be made in Nuremberg, but the pencils seem to be assembled in their factory in Neumarkt.
I thought Staedtler’s mechanical pencils are made there, but didn’t expect their pencils to be made there, too. I mentioned Neumarkt in a previous blog post when I wrote about the ONLINE All Wood Marone. ONLINE is based in Neumarkt, too, as is e+m Holzprodukte.
Producing a pencil is a fairly automated process. You only need about 1-2 seconds of human labour time. 100 years ago about one minute was needed, 200 years ago it was about an hour.
The price of graphite is expected to rise. One of the reasons is that it is needed for manufacturing batteries for electric cars.
The images in this blog post have been taken from Frankenschau and Abendschau. I believe that the use of the images shown in this blog post falls under “fair dealing” as described by the UK Copyright service.
This is a list of pencil sharpeners, sorted by angle. Most sharpeners for graphite pencils seem to sharpen the pencils with an angle of about 20°. Sharpeners for colour pencils usually sharpen the pencil with an angle of about 30°.
This is not the first time that I mention the fact that Staedtler pencils are quite common in the UK [1]The blog post about the Staedtler Tradition and the one about the Chung Hwa drawing pencil both mentioned this, then there also the post about Staedtler UK.. Today I want to show you some examples of Staedtler pencils seen on TV. In the UK school is about to start soon, so there’s even Staedtler advertising on TV these days. The examples shown here are however not part of an advertising campaign and I believe that Staedtler pencils have just been used because they are quite common. I apologise as nearly all picture shown have been taken from TV series. As usual, all pictures not taken by myself come with a note explaining where they are from or who owns the copyright.
Real people
Let’s start with real, i.e. non-fictional, people using Staedtler pencils.
Stephen Wiltshire
I’ll skip photos of Stephen Wiltshire using Staedtler pencils. One reason is that you might remember seeing him using a Staedtler pencil from a blog post from March 2010 about the Staedtler Tradition. The other reason is that about a year after the blog post he started making advertising for Staedtler, so any new pictures showing him using Staedtler pencils would arguably be because of his contract with Staedtler, not because of the omnipresence of Staedtler pencils. I have seen him using other pencils in the past, I assume he is only or mainly using Staedtler products now.
Gordon Ramsay is a celebrity chef in the UK. Since he has been mocked in South Park I assume he must be a celebrity in the USA, too – or at least be known there. Here are photos of him in an episode of his TV series Ramsay’s Best Restaurant, where a restaurant ten miles from where I live was competing. I first wasn’t sure whether this is a real Tradition 110 or one of those copies available in many shops, but during this episode there were some moments when the reflection of the writing on the pencil can be seen quite well. It is not a copy.
You can see Staedtler Tradition and Noris pencils in several school sketches in The Armstrong and Miller Show. Staedtler pencil’s use in The Armstrong and Miller Show is not really surprising. They are common and also to some extent the archetype of a pencil.
Staedtler’s pencils’ image as typical pencils means that you can see them often when an association with school is needed or in related advertising as in the example seen on the right. The advertising, probably created specifically for the UK and Ireland, was on a phone booth. A Staedtler Noris can be seen, even though the film is from the USA, where the Noris is not officially distributed and not available.
In the next example Harvey Nichols, a posh department store, used Noris look-alikes in their shop window to advertise perfume – I am not sure what the link between the perfume and the pencils is.
Noris look-alikes in Harvey Nichols shop window. (Thank you to Mrs Schmitt for allowing me to use Staedtler’s photo)
Before I finish this blog post, a quick look at fictional characters outside the UK who use Staedtler pencils.
In the US-American TV series How I Met Your Mother the main characters, architect Ted Mosby (actor: Josh Radnor), can be seen using a Staedtler Mars Lumograph. Unlike the Noris and the Tradition, the Mars Lumograph is officially being sold in the USA. A fitting pencil: in the past the Mars Lumograph has been advertised a pencil for technical drawings and for engineers.
His second appearance in this blog …both times with a pencil: Daníel Sævarsson (actor: Jörundur Ragnarsson), one of the main characters from the …vaktin series and from the film Bjarnfreðarson, this time with a Noris in episode two of Fangavaktin.
In previous blog posts the Tradition was written with lower case letters because this is how the name is printed on the current version of this pencil. I decided to capitalise Tradition from now on, but I will probably refrain from changing the spelling in previous blog posts.
I would like to thank Mrs Schmitt from Staedtler for giving me permission to use Staedtler’s photo of the Harvey Nichols shop window.
I believe that the use of the following images falls under “fair dealing” as described by the UK Copyright service:
The two photos of Gordon Ramsay and the Staedtler Tradition, taken from episode three of the TV series Ramsay’s Best Restaurant
The two school sketch photos, taken from the second series of the TV series The Armstrong and Miller Show
The photo of the UK advertising for the film Diary of a Wimpy Kid 2
The two (poor) photos taken from the TV series How I Met Your Mother
The two photos taken from the TV series Fangavaktin
By the way, this is blog post 112. Quite fitting, as 112 is the article number of the rubber-tipped Staedtler Tradition.
You might recognise the name Reidinger from Lexkaliker’s blog. He wrote about their “Pencil Configurator” in one of his previous blog posts. Despite their pencil configurator, Reidinger is not really a pencil manufacturer but is selling pencils, including carpenter pencils, and folding rules as promotional gifts.
The magnet
Good it's not a CRT...
One of their products is a magnetic pencil, which I got sent by Mr Lorber earlier this month, together with some of Reidinger’s crystal pencils [1]using Swarovski elements. It is a black wood pencil with a neodymium magnet at the end. Unlike Viarco’s or Lexikaliker’s version the magnet is hidden by a metal sleeve and is not directly visible. A metal disc is available and comes with one of the magnetic pencil sets, for sticking to non-metallic surfaces so that the pencil can be placed there. The disc is however not magnetic. A quick attempt to magnetise the disc using the magnetic pencil was unsuccessful (I was hoping to magnetise the disc to be able to use it for Eberhard Faber’s Microtomic or General’s Kimberly pencils). You might know that neodymium magnets are the strongest permanent magnets available and I have to say it is pretty amazing how much these pencils “stick” and what you can do with them: if you can connect two pencils at the end you can swing them around, which is pretty fun.
The pencil
Don't need the metal disc here...
The pencil itself is very good. It lays down a very dark line, is easy to erase and sharpen and is quite smooth, similar to a good pencil, like the Staedtler Tradition or Noris, but short of an excellent pencils, like the Faber-Castell Castell 9000, the Tombow Mono 100 or the Staedtler Mars Lumograph.
After talking to Mrs Morse from Reidinger I found out that many of their pencils are manufactured in Eastern Europe and are made using lime wood [2]American English: Linden wood and was told that the quality of the materials has been certified by TÜV. I am however not sure where exactly the magnetic pencils and the crystal pencils are made. I know that some of the other crystal pencils available are made in China, but to my surprise there seem to be several factories making black wood crystal pencils as Mrs Morse confirmed that their pencils are not from China. Last year my wife bought some crystal pencils from The Pen Shop. They are in her office at the moment – so I cannot check now, but I should have a look and compare them to the ones from Reidinger…
Magnetic and Crystal Pencils
Giveaway
As these magnetic pencils are promotional gifts you cannot buy them individually. I believe you have to buy at least 288 for an order, but since Mr Lorber sent me several of them I am happy to give away a pack of three crystal pencils with Swarovski elements and a magnetic pencil with a metal disc. I am happy to send the prizes to any country as long as Royal Mail doesn’t refuse to send them there. I will use random.org to get a random number and the author of the corresponding article will get the price (unless I am the author or the comment is definitely spam). To take part please leave your comments at this blog post before Sunday, 4th September 2011, 23:59 UTC.
I would like to thank
Mr Lorber for sending me these pencils and
Mrs Morse from Reidinger for providing me with more information about Reidinger’s pencils.
Sean from The Blackwing Pages for the Eberhard Faber Microtomic and the General’s Kimberly pencils I tried to use with the metal disc.
Congratulations to the winners of the first Bleistift giveaway. I’ll send your prizes out first thing tomorrow morning and will also include a few other pencils I have lying around, including the Faber-Castell 1117 and a Graf von Faber Castell pencil.
The first number I got from random.org was 20, this means Kartike E from Indonesia gets the first prize. She chose the rubber-tipped version of the Noris, the Noris 122 HB.
The next number from random.org was 16 – Palimpsest from the UK wins the Welsh-made sketching pencils.
Number 15 came next. That was a post by myself, so I requested another number from random.org instead, which was number 5: Lexikaliker from Germany. Since he already has some Staedtler Tradition 110s he was kind enough to give someone else the chance to win. Thank you! The replacement number I got was the 13, which means that Sheryl C from the USA wins the blister pack with Welsh-made Staedtler Tradition 110s.
Thanks again to all who took part. I hope the winners will receive the pencils soon.
The 100th post at Bleistift. I thought I should make an extra effort for this blog post, so there will be the first ever giveaway at Bleistift (oh, go on then, scroll down to find out more about the giveaway before you read the article). Today’s post will look at the history of Staedtler UK. It is a follow-up post to the Staedtler Tradition [1]Last time I spelled Tradition lower case, as printed on the pencils, but for this post I decided to consistently start with a Capital. 110 post from March 2010[2]A post that mentioned that Stephen Wiltshire is using the Staedtler Tradition. Twelve months later Staedtler managed to get his support for their pigment liners..
By Appointment to the Late King George V
1790 – 1920 Wolff and Cohen
Elias Wolff
The history of Staedtler in the UK seems to date back as far as 1796. As far as I can tell this was the year when Elias Wolff, aged 15, started his career as a pencil maker. In 1822 he officially started his own company and by 1840 his son was on board and the name of the company changes to Elias Wolff and Son.
Why London?
The company was based in London, which is not surprising. The UK was and is very centralised and in the past graphite mining and production was controlled by the crown. Graphite had to be transported all the way from Cumbria to London, to be sold or auctioned. Soon Flemish traders were supplying graphite to all of Europe and the Society of Mines Royal asked the family of Höchstetter to apply their Bavarian mining techniques to make mining more efficient.
Solomon Cohen
Solomon Cohen, another pencil maker, was born around the same time as Elias Wolff. When his son Barnet Solomon Cohen took the business over he started trading as B.S. Cohen. In 1919, at a time when England had some of the best pencil factories in the world, B.S. Cohen and E. Wolff and Sons merged. The name for the new company: Royal Sovereign Pencil Co.
… and Napoleon?
These were turbulent times. Elias Wolff and Solomon Cohen were born around the time of the French Revolution and worked as pencil makers while the war between Britain and France and the Napoleonic Wars were going on.
Paulus Staedtler
Paulus Staedtler, another pencil maker, was born in 1779, in Nuremberg. Turbulent times there as well: Prussia took Nuremberg over before, in 1806, Napoleon’s army gave the city to their ally Bavaria – not long before all of Franconia was annexed to Bavaria in 1815. In 1835 Paulus’ son Johann Sebastian Staedtler started his own factory, the company we know today as Staedtler.
1919 – 1992 Royal Sovereign Pencil Co
The Royal Sovereign Pencil Co started life in 1919 and was renamed to Royal Sovereign Group Ltd in 1974, just before the factories where taken over by Staedtler. Strangely enough the names Wolff and Royal Sovereign never belonged to Staedtler. I have to assume that the new Royal Sovereign company only held on to the names and maybe some other intellectual property rights, not to any hardware. As far as I can tell, based on information provided by Companies House, the United Kingdom Registrar of Companies, the company was taken over in 1987. It took me a while to figure out that the company that took over the rights to the trademarks etc must be the Dickinson Robinson Group, a company that pioneered a number of innovations in paper-making in the 19th century. In 1989 this group was then taken over by Pembridge Investments, around the same time the rest of Royal Sovereign became part on Nontradorm, before the rest of the Royal Sovereign Group was officially dissolved in 1992. The names “Wolff” and “Royal Sovereign” do however live on. A family owned business, West Design Products, somehow got hold of the rights to the names Wolff and Royal Sovereign and sell Indonesian-made pencils under this name. A first attempt at contacting West Design Products nearly twelve months ago was unfortunately left unanswered, as was a subsequent attempt, so I was not able to find out how these traditional names came into their possession and whether their pencils are made in Staedtler’s Indonesian factory.
West Design’s Wolff’s Graphite Sketch Set
1975 – 2009 from Royal Sovereign to Staedtler UK – how the pencils changed
RS Bonded
In April 1966 Royal Sovereign started to produce two different types of Staedtler pencils in Pontyclun, Wales. The early Staedtler Tradition 110 pencils made there had “RS – Bonded” printed on them. The factory still made Royal Sovereign pencils and they, too, had “RS – Bonded” printed on them. These early Staedtler Tradition pencils were pre-sharpened on the right side, i.e. looking at the pencil with the print facing up, the right side of the pencil has been sharpened. The RS Bonded version hexagonal, like all other Tradition 110s, and mainly red. The cap has the typical Staedtler look, but only the side of the pencil with the gold letter print is painted black. All other sides of the pencil are red with a thin black strip in the middle.
Bonded
The next generation of Welsh-made Tradition 110 pencils is pre-sharpened on the left, the same way as nearly all modern pencils. This means that the text on the pencil is not upside down if the pencil is held in the right hand, as was the case with the RS Bonded version. The black and red pattern changed, too, and is identical to modern Staedtler Tradition 110s. The side with the print and the opposite side are black. The other fours sides are red with a black strip between two adjacent red sides. For this generation the stamped text “RS Bonded” has been replaced with “Bonded”.
Jet Bonded
The next generation of Tradition 110 pencils was probably released around 1972, a few years before Staedtler bought the factory in Pontyclun in 1975. This is the first generation of UK Tradition 110s, where the glue has been applied by a machine. Previous version had the glue applied manually. The print changed from “Bonded” to “Jet Bonded”.
Barcode S
I am not sure whether there has been a generation [3]or several generations of Tradition 110s between the previous Jet Bonded version and the next version that features a bar code. It is more than likely that this version of the Tradition 110 was released in 1990 or shortly after.
Last generation
You can still find the last generation of the Tradition 110 made in Pontyclun in some shops that have old stock. This generation was in production until the factory was closed in 2007/2008. Around the same time, in 2008/09, the rest of Staedtler UK moved to nearby Bocam Park, about five miles West of Pontyclun.
Australia
Royal Sovereign had two factories, one in Pontyclun, South Wales (UK) and one in Sydney, New South Wales (Australia) and when Staedtler took over they bought both factories. Unfortunately, the one in Dee Why (Sydney) closed down nearly 40 years after it opened, around the same time as the one in Pontyclun. Another Staedtler plant that was closed shortly after was the one in Pahang, Malaysia. Products previously manufactured in Australia and Malaysia are now made in Thailand (pens) and Indonesia (pencils). It is a real shame that these factories had to close down.
Pencils can last a long time. On several occasions I took a whole day worth of notes using a Staedtler Mars Lumograph F without having the sharpen the pencil the whole day. In comparison some other pencils wear down really fast, a Dixon Ticonderoga for example, or most of the Korean pencils I know [4]This is not meant as complaint. These pencils have other advantages, e.g. a very dark line. Even the ones that wear down fast are usually good value for money, the ones that last longer often cost a bit more, but are even better value for money. In a time when many consumers will buy the cheapest pencil they see in the supermarket it must be difficult for the established, high quality pencil manufacturers to keep smaller factories and factories in high wage countries alive. I hope that in the future consumers will not just buy any old, scratchy pencil, but a good one, so that these factories can stay open as long as possible.
Pencil and ballpoint pen from Staedtler UK, sharpener from KUM
I hope you enjoyed reading this post. There was more I wanted to include, but this post starts to get a bit too long, so I will write more about Staedtler’s popularity in the UK another time. If you have further information about Staedtler UK’s history or pencils, not mentioned here, or if you find any mistakes please let me know.
Giveaway
After I heard that Staedtler’s Welsh factory closed down I started buying pencils from this factory in different shops. To celebrate the 100th blog post I am giving away three prizes, they are not worth a lot (check penciltalk’s anniversary post: How much is my pencil worth? Probably nothing! …but they were made in Staedtler’s UK factory in Pontyclun).
You can win…
A dozen Welsh-made Staedtler Noris. You can choose between the rubber-tipped version (Noris 122 HB) or the version with the traditional Staedtler cap (Noris 120 HB)
A pack of six Welsh-made sketching pencils
A blister pack with three Welsh-made Staedtler Tradition 110s
I am happy to send the prizes to any country as long as Royal Mail doesn’t refuse to send them there. I will use random.org to get a random number and the author of the corresponding article will get the price (unless I am the author or the comment is definitely spam, e.g. advertising for medicine, …). To take part please leave your comments before Friday, 8th July, 23:59 UTC.
I bought West Design’s Wolff’s Graphite Sketch Set in September 2010 from Granthams in Preston for £4.25 (~ $6.80; €4.70). The Sketching pencils set with six pencils (B – 6B) used to sell for £1.70 (~ $2.70; €1.90) in Granthams and for £3.70 (~ $5.90; €4.10) in Paperchase. All the old Staedtler Tradition 110 pencils are from shops in and around Lancashire. The oldest ones are from a corner shop about 200 yards from my home.
Exchange rates: July 2011
If you want to read more about Staedtler UK’s pencils…
…Paulus and Johann Sebastian Staedtler at nuernberginfos.de (in German)
I would like to thank my colleague and business historian, Dr. Mitch Larson, who gave me very useful information and suggested contacting Companies House, a registrar I hadn’t been in contact with for ten years.
A post that mentioned that Stephen Wiltshire is using the Staedtler Tradition. Twelve months later Staedtler managed to get his support for their pigment liners.
It is probably superfluous to write about the Faber-Castell 1117. Not because it is a very common pencil everybody knows about, but because this pencil is not new to the blogosphere. It has previously been reviewed at penciltalk and this isn’t its first appearance at Bleistift either: the 1117 was the supporting actor in the review of the Deli pencil sharpener 0668. So why do I write about it again? The reason is that I thought Faber-Castell stopped producing this entry level pencil – after I was unable to buy this pencil in shops that sold this specific model previously. Before you panic: Calm down, dear. The good news is that Faber-Castell confirmed that they are still making the 1117.
Price
My guess is that the 1117 is the cheapest pencil made in Germany [1]Probably even the cheapest pen. Today, you can find the version without ferrule and eraser for as little as € 0.20 (~ 28¢; 17p), if you buy them in Germany over the Internet. That’s a bit more than half the Internet price of a Staedtler Noris and about ¼ of a good Internet price for the Castell 9000. I bought the last few dozen in the local stationery shop Schreibwaren Jäcklein in my home town of Volkach when I went there in April. eraser-tipped 1117s for € 0.58 each (~ 82¢; 51p) and the untipped 1117s for € 0.36 each (~ 51¢; 32p). Last November I bought the eraser tipped 1117s in B for € 0.29 each (~ 41¢; 25p), online at Schule-Uni-Shop / CTK, but CTK do not stock the 1117 any more.
Writing qualities
The lead of the 1117 could be better, there is not doubt about that, but in good Faber-Castell tradition it does last a long time before it wears down and needs sharpening. Once the pencil it dull or blunt it is, at least in my experience, less pleasant to write with. This is however quite normal for inexpensive pencils and only very few pencils would excel in this category. The 1117 is however usually quite smooth and there would be very few combinations of paper and pencil point state that would result in a scratchy writing experience. The lead could be darker, but this is again something we shouldn’t be surprised about as Faber-Castell measure and label the softness of the lead quite conservatively. The 1117 shows no problems with smudging when being erased erased. I would describe the eraser from the eraser-tipped version as “normal quality”. It performs a bit worse than the eraser of a Dixon Ticonderoga , is similar to the eraser of a General’s Semi-Hex, but much better than the white eraser of the Palomino Blackwing. [2]In case you wonder why I picked these two for the comparison: Those pencils were just lying on my keyboard. Thanks to Sean, Kent and Adair for these.
Overall
This is an extremely cheap, or better: inexpensive, pencil and value for money is definitely excellent. Production of the 1117 started in 1991/1992 (20th anniversary soon!). When this pencil was first introduced it was unfinished, but for hygienic reasons later versions got a protective finish. The feel is however very similar to an unfinished pencil. Depending on your perspective this means that the pencil has a great grip or it is slightly too rough and therefore uncomfortable. The version without ferrule and eraser is available in 2B, B, HB and H. I have seen the eraser-tipped version in B and HB, but according to the label on the box the eraser-tipped version is available in five grades. All versions feature SV-bonded anti-break leads.
I would like to thank Ms Schaklies from Faber-Castell for the additional information about the 1117.
The photo of Ólafur handing over a pencil to Daníel has been taken from episode 8 of the great, Icelandic comedy Næturvaktin. I believe that the use of this image falls under “fair dealing” as described by the UK Copyright service.
2011 is the year Faber-Castell celebrates its 250 year anniversary (1761 – 2011). Stephen from penciltalk told me about an anniversary set of 6 Castell 9000 pencils that was for sale on eBay. Faber-Castell gave these away at this year’s Paperworld trade fair. Unlike the centennial tins with 12 and 72 pencils, this tin does not contain the normal Castell 9000 pencils you can buy in shops, but Castell 9000 pencils with 1761 – 2011 * 250 years printed on them. They are not available in shops (yet), but according to comments on Faber-Castell’s facebook page Faber-Castell seems to consider producing them for sale. Let’s keep our fingers crossed!
Stabilo celebrates the 40th anniversary of their Boss Highlighters. As part of this anniversary there is a giveaway from Tiger Pens, where you can win Boss mugs, and a game from Stabilo where you can win Boss mugs, USB sticks and other prizes (there are different prizes for different countries).
Staedtler‘s historic pencil construction kit will unfortunately not be available in shops. The good news: you can order these kits directly from Staedtler for € 5 each. You can also get Staedtler’s historic Lumograph tin (100 M12H: € 16.20), the historic Tradition tin (Nr. 110 M12H: € 14.40) and the historic Noris tin (Nr. 120 M12H: € 9.60) directly from Staedtler. All of these special items are only available while stocks last. The historic pencil construction kit is not available yet, but can already be ordered.
The photo of Stephen Wiltshire using a Staedtler Tradition has been taken from Top Gear Episode 5 of Series 14 and has been used previously in a blog post from March 2010 about the Staedtler tradition. I believe that the use of this image falls under “fair dealing” as described by the UK Copyright service.
Next year Staetdler will release “nostalgic metal tins” as a limited edition. There will be tins for the Mars Lumograph, the Noris and the Tradition (yes, this time with an upper case “T”).
I assume that that only the tins have the nostalgic look and that the pencils inside will have the modern look.
Fantastic! I hope I will be able to buy some before they are gone. Getting this years 1835-2010 set was difficult enough.
For me the Staedtler Noris has always been the archetype of a pencil. The Mars Lumograph might come close and these days I might also consider the Castell 9000, but somehow I never really saw the Castell 9000 being used around me when I was younger. My father was a joiner, so he used carpenter pencils and normal pencils …and because he used a lot of them he would not buy the more expensive ones. There was a point, I think it was the early nineties, when Herlitz Scolair pencils became quite cheap. So he usually used those …and he used a lot of them. Even though I also used to use them I never thought of them as nice pencils, they were always just cheap pencils to me. In the eighties there were of course Japanese pencils in Germany, too, but they were usually novelty pencils, not branded pencils. Their selling point would be the unusual look, e.g. unusual patterns or colours printed on them, often metallic. Unfortunately they usually suffered from lead breakage, probably because the manufacturers did not have to try hard: Everybody who bought them did so because of how nice they looked, not because of their reputation – and since they were not branded you could not really know which ones to avoid in the future .
Shanghai's Chung Hwa Drawing Pencil 101
Back to my original topic: I think the Staedtler Noris can be seen as the archetype of a pencil in the UK and in Germany. In the UK the Staedtler tradition can also be seen quite often, but in both countries the Noris seems to be the pencil that is most ‘common’ and recognisable the same time.
Shanghai’s popular pencil
Last time I was in Shanghai I was trying find the Shanghainese equivalent by looking for the most common pencil in everyday life. I expected it would be the Chung Hwa 6151, just because it was a Shanghainese pencil you come across in stationery blogs or web sites, but I never really saw the 6151 in the wild. Instead I came across the Chung Hwa Drawing Pencil 101 again and again. Employees in supermarkets used it to make notes. Waiters in restaurants used it to take orders. It just seemed to be the most common pencil in Shanghai. If there are any reader who know or live in Shanghai and disagree please let me know. I would like to know what your experience is.
China First Pencil Company Ltd.
Before I go into more detail about this pencil I would like to talk about the manufacturer, Chung Hwa, first. There are many Chinese companies and products in different and unrelated industry sectors that are called Chung Hwa: there are Chung Hwa cigarettes, cars, there is Chung Hwa cognac, ink, etc. As far as I can tell these companies have usually no connection except the common name. Chung Hwa (PinYin: ZhongHua) does translate as ‘China’ but not in the normal sense, i.e. when you talk about the country, but in a cultural or literary sense.
The Chung Hwa pencil company traces it roots back to 1935. It changed the name a few times and today’s official name is China First Pencil Company Ltd. They manufacture graphite, colour and cosmetic pencils as well as pencil related stationery and machines for the pencil industry.
Today the Chung Hwa Drawing pencil‘s body has a dark green body colour with a light green pattern of bamboo leaves and totems printed over it. The pencil is hexagonal without a painted cap and is labelled on three sides. The wood used is rather red, but does not seem to be the Vatta wood (Macaranga Peltata) mention in a previous blog post. Two sides are labelled in white, one in white and gold. As far as I know the Chung Hwa 101 should be available 6H – H, F, HB, H – 6H. Despite my best efforts I was however unable to find this pencil in F, so I bought one pack in HB and one in H.
…compared to the Staedtler Noris
Since this pencil seems to be Shanghai’s everyday pencil I thought it would be a good idea to compare it to what I think is the UK’s and Germany’s everyday pencil, the Staedtler Noris, as explained earlier. Let’s start by looking at the finish. I like the fact that you can see the wood grain through the paint, but on the 101 the paint has not been applied as well as on the Noris. This applies to both the dark green base and the light green pattern. The Chung Hwa Drawing Pencil 101 in HB is also not as soft and smooth as a Noris HB. It is not yet scratchy and certainly not worse than an average pencil. The graphite is not too reflective and does not smudge, so keeping the price in mind the 101 HB is very good value for money. The 101 in H is also very good for the price, but compared to the Noris in H it is much softer, more like an F grade pencil.
Conclusion
The Chun Hwa Drawing Pencil 101 offers very good value for money. It is not really a great pencil that can compete with good pencils, but it is definitely better than the average no name pencil and better than many cheap branded pencils.
As usual: the paper that can be seen in the comparison photo of this blog post is the Bloc Rhodia Nº 13.
