David O. just posted two comments with links over at pencil talk’s. They are linking to great [1]great because they are about the pencil industry, I am not sure what to think about the content articles and it would be a shame to miss them because are hidden in the comments, so I thought I post them here.
The other one is from the Wall Street Journal and is looking at the rivalry between Staedtler and Faber-Castell. To be honest I always thought they get along perfectly fine: selling name rights to each other, having joint press statements, … but the article portraits a much darker image. I am not sure whether they exaggerated a bit to make the article more catchy.
Thank you David O. for posting the links at pencil talk.
One of the blog posts I plan to do in the next few days (or weeks) is about my favourite eraser. I have no doubt about which eraser is my absolute favourite, but there are a few other erasers that are very nice to use, too. One of these is the Sanford Design Artgum art eraser/cleaner, model number 73030, an eraser I already mentioned in a previous post that could easily be my favourite if it would smear a little bit less and erase a bit better. Although this last statement did not sound very good, the eraser is not as bad as this sounds. I admit that it will smear first when you start to erase, but if you keep erasing the smeared lead will be removed, as will be any traces of the writings or drawings you tried to erase in the first place. Why do I like it? …because it is very soft and crumbly. From all the erasers I know it is the one with the most comfortable feel to it.
This eraser was originally called the Eberhard Faber Design Artgum eraser/cleaner. Its name changed when Faber-Castell bought EF and it changed again when Sanford took over.
The Artgum eraser is available in two sizes and I bought mine, the bigger one, from Granthams, a local shop that is also selling stationery over the Internet. Their current price is £1.22(~$1.92, ~€1.43), which is a good price for Europe. Manufactum sells them for more than three times this price. On the other hand £1.22 is expensive compared to the price you pay in America. I have seen a pack of two fo these erasers from a US web site for 69¢.
Links:
Dave has a review of the similar looking Boston cube eraser (which does not seem to perform well)
I don’t want to give the impression that I am a big fan of Tesco’s. When we go shopping we also buy from the other supermarkets (except maybe ASDA) …but I just have to mention this offer as it might be of interest for those of you in the UK (there might also be a similar offer in Ireland).
Tesco is currently selling the right handed version of the Stabilo EASYgraph double pack for 75p (~$1.17, 89c). The normal retail price is £2.70 (~$4.22, ~€3.23).
The EASYgraph is designed for schoolchildren who learn to write. It has a triangular shape, is over-sized and its specialty is its design which includes grip moulds that are supposed to support the fingers in gripping the pencil easily. As the pencil gets shorter through sharpening the next grip moulds can be used until the pencil is used up. There is a clear layer of paint above the wood visible in the moulds to protect the, from dirt. There is also a name tag at the end of the pencil which emphasises that this is a pencil for school children and the wood is PEFC certified.
Stabilo EASYgraph (front) and Lamy plus (back)
Altogether a very nice pencil, but it does feel a bit scratchy. After reading one of Sean’s recent articles I do however think that the sound this pencils makes might be responsible for the scratchy feeling.
As far as I know the EASYgraph pencils are produced in Český Krumlov in Bohemia.
The EASYgraph on a Cherry G80-3000LSC
Stabilo EASYgraph (front) and Lamy plus (back)
In case you wonder about the keyboard in the photo: This is my favourite keyboard. The G80-3000LSC (click tactile) from Wisconsin’s Cherry Corporation. How does it fit into this article? They are both ‘writing instruments’ and they are both made in the Czech Republic.
If you like fountain pens you are probably also interested in ink. Pelikan has released a new series of luxury inks, the Edelstein Ink Collection [1]Edelstein is the German word for gemstone or jewel. The price for a 50ml glass bottle is €12.90 (~$16.75) in Germany and £11.95 (~$18.50) in the UK. The Edelstein inks are available in seven colours. According to Niche Pens they will be available for purchase towards the end of September.
The first time I came across Banditapple carnets was when my friend Kent from Pencilog send me a few to try out. A few weeks later I received another envelope with Banditapple carnets, this time from Arnie Kim, the man behind the Banditapple carnets and an acquaintance of Kent. Kent told me that Arnie quit his job in Korea and went to Vietnam to create the perfect notebook. Vietnam was a French colony and was therefore influenced by French culture with the French-style carnet being no exception. Kent also added that Vietnam is the most suitable place in Asia to produce European-style notebooks. When I asked Arnie about his carnets he told me that he designed and planned the whole project and that he spent more than two years to find the right paper, the right “masters” to produce his carnets and the right location to make the carnets. The carnets currently available are the first edition, but he hopes to produce the second edition in a year or so.
Talking about the current edition he added that the paper is acid free paper and that it works great with a fountain pens, because the ink can dry quickly and because there is no feathering.
His Banditapple carnets are now being sold in the large stationery stores in Seoul and are also available in selected shops in Japan. He is also selling them online (contact banditapple@gmail.com if you are interested), with most orders being shipped to the USA and Japan, followed by Belgium, the Netherlands and Switzerland. The online sales are however tiny in comparison as Arnie does not have an online shop and these orders are based on word of mouth. The carnets are available in the following sizes:
Peewee size, a moleskine pocket size, 9×14 cm
for 1,800 KRW (~$1.54, ~ €1.21, ~£1.00)
Handy Size, a midori traveler’s note size, 11×21 cm
for 2,800 KRW (~$2.40, ~€1.89, ~£1.56)
Tablet size, a moleskine large size, 13×21 cm
for 3,300 KRW (~$2.83, ~€2.22, ~£1.84)
Banditapple left, Muji right
When I first looked at the Banditapple carnets my first impression was that they are very similar to Muji’s passport sized notebooks I bought in the past. If you have used Muji notepads before or read my previous posts about Muji (about their A5 notebook and their A6 memo pad) you know that Muji products look nice and are great for pencil users, but that their paper is not particularly fountain pen friendly. I use their white lined A6 notebooks to keep QSL logs, but I only use graphite pencils (mainly mechanical pencils) for this purpose. The similarities between the Muji passport notebooks and the Banditapple carnets lend themselves to comparing them. Keeping Kent’s and Arnie’s praise for their ability to cope with ink in mind (“The main partner with this notebook is actually fountain pen”) I decided to have a closer look and see how both cope with graphite and ink.
Banditapple carnet, sewn through the cover
Both notebooks are sewn, not stapled, which adds a nice touch to them. While the Banditapple’s cover feels like normal, coloured paper the Muji’s cover seems to be made from impregnated paper, which will probably keep it looking new and tidy for longer. Another difference is that the Muji notebook was sewn with a white thread before the outer cover was glued on, so the seam is not visible from the outside, while the Banditapple was sewn with a red thread through the cover. The paper used in the notbook is also quite different. While the Banditapple’s paper looks a bit rough, Muji’s paper looks extremely smooth, nearly shiny in comparison and with a more yellowish tint.
Banditapple
Muji
Workmanship on both notebooks is very good, but if you are looking hard you can see that the last bit of thread is hanging loose on both notebooks and that the rounded corners of both notebooks could have been cut a bit better.
Texture Banditapple
Texture Muji
Click on the images to see the texture in large.
Writing text using a pencil and erasing is fine in both notebooks, but shading the paper with a pencil does not really work well in the Muji notebook. Shading works much better in the Banditapple carnet, but the rougher paper means that the paper’s texture will be a little bit more obvious than in Muji’s notebook. The suitability for ink was tested with two different fountain pens and inks. I used a Lamy Al-Star with an M nib, filled with Montblanc royal blue ink and a Pelikan Souverän M400 white tortoise with a 14C F nib and Lamy blue-black ink [1]This is the blue-black ink from the bottle, not from the cartridge. I emphasise this because the blue-black ink from the bottle is said to be an iron-gall ink, while the blue-black cartridges are … Continue reading. This M400 is usually a very wet writer, but since this ink is very dry this combination overall is dryer than the Lamy / Montblanc combination. While the Banditapple carnet copes exceptionally well with both inks, the Muji notebook has some problems which result in the text being clearly visible on the back of the page.
The back of the page, Banditapple left, Muji right
The Banditapple carnet is the clear winner in this comparison, because of the superior paper. The Muji passport notebook paper does not perform well if you use ink or if you draw with pencils. I have to emphasise that the paper of the Muji passport notebook is performing much better than the paper in Muji’s A5 notebook I have reviewed previously. If you only write in notebooks and you only use pencils, then both will be excellent and the Muji will provide you with a cover that is more water and dirt-repelling.
I would like to thank Kent and Arnie for the Banditapple carnets used in for this post.
Arnie is an avid collector of postcards. If you would like to send him a postcard, please send it to:
Young-jo Arnold Kim
CPO Box 1754
Seoul
Republic of Korea
100-600
This is the blue-black ink from the bottle, not from the cartridge. I emphasise this because the blue-black ink from the bottle is said to be an iron-gall ink, while the blue-black cartridges are said to be just a mix of blue and black ink
