The Vital Role Played by Stationery in Numerous Cultures

Today: a guest post by Catarina Lory:

“Without wishing to overstate it, stationery has created civilization. Language is how we make sense of the world, and written language gives us an aggregated sense of knowledge. That only happens because of stationery.” – James Ward

Stationery has done much more than spread knowledge of language and history; it has also played vital roles in many aspects across an array of cultures, enabling people to comply with social etiquette, create collections, and express themselves through personalized items. Its history can be traced back to the Egyptians, who, in 3000BC, famously transformed the papyrus plant into a solid, dried sheet that could record specific information. Historians, however, credit a Chinese eunuch called Tsai Lun with having invented modern-day paper, as he blended bamboo fibers and the inner bark of a mulberry tree to create paper in 100AD. As these new materials made their way into different societies, they opened up fresh ways for people to communicate, share ideas and express their cultures in exciting new ways. This evolution laid the groundwork for the diverse writing practices that “got rolling” (so to speak) before the printing press came along. 

Before the Printing Press

Prior to the invention of the printing press in the 15th century by Johannes Gutenberg, numerous cultures sought to share knowledge and information through writing. The ancient Greeks, for instance, used wooden styluses to write on wax tablets. The Romans, meanwhile, used both styluses and waxing tablets and ink reeds or metal pens and papyrus. The latter was made from pounded reeds. They also used parchment or vellum, which was made from animal skins, as well as thin wooden tablets and pottery sherds (which were used for short notes). All these materials played a vital role in culture, with the Greeks and Romans producing vast bodies of literature, including epic poems, philosophical works, and tragedies. Homer’s Iliad and Virgil’s Aeneid are just two of the most important works written at this time. Stationery also played a key role in the creation of religious texts and the preservation of historical events.

The Renaissance, Industrial Revolution, Victorian Era, and Beyond

Gutenberg’s invention revolutionized the availability of written materials, and later, the creation of the pencil in the 17th century made it much easier to share literature, historical facts, and personal, political, and social news. In the 1800s, stationery was mass-produced and therefore far more affordable. During the second half of the 19th century, handwritten notes and letters reached peak popularity, and became a veritable art form with strict rules of etiquette. Colored and scented papers became fashionable, as did elegant finishes and floral motifs though by the 1890s, simplicity in stationery once again held sway. In the 1880s, meanwhile, the invention of the fountain pen made writing even more trendy and the arrival of the 19th century brought with it the mass production of greeting card design. 

The 20th Century Until Today

One of the biggest developments in stationery and tools was the invention of the ballpoint pen in 1938. The 1900s also saw the rise of stickers and memo squares, which were ideal for short notes. Today, stationery comes in a wide array of finishes, weights, and textures, with young and old consumers alike collecting everything from luxurious journals to personalized stationery for times when penning a letter appeals more than a quick email. Today, stationery choices reflect different cultures’ values and tastes. For instance, in Japan letter writing is highly prized, with practices like envelope art (kirigami) and elegant writing still being highly regarded. Japanese and Chinese stationery often features symbolic designs inspired by nature such as cherry blossoms (in Japan) and bamboo, birds, and blooming flowers (in China). 

Sustainability as a Sign of the Times

Around the world, sustainability has become a major priority, and research shows that a lot of people are ready to pay a bit more for products that are made sustainably. A noteworthy fact is that this trend isn’t just limited to design and fashion; it’s also making waves in the stationery world. Take handcrafted Indian paper, for example—made from herbal fibers, cotton, silk, banana bark, and jute. It’s gorgeous to look at, of course, but it is also kind to the environment. Many companies in the West are saying yes to this trend, turning their offices into green spaces that reflect these values. Even remote workers are doing their part by embracing sustainability in their home workspaces. When it comes to interior design and furniture, that means choosing sustainable materials like wood and eco-friendly paint. On the stationery front, the focus is on recycled paper, plant-based inks, and biodegradable products.  

What Is the Future of Stationery?

There is no doubt that the most popular means of communication these days is e-mail. Despite the influence of digital means of communication, however, stationery still has a promising future across the globe. In fact, the market is expected to reach USD 271 billion by 2034, with a steady compound annual growth rate of 5.3%. Top trends to watch out for include new styles of eco-friendly paper and plant-based inks, monogrammed stationery, pens as a luxury item, and handcrafted embellishments.

We may be living in a digital world, but stationery continues to hold great appeal. In many Asian countries, for instance, there is a strong artistic tradition surrounding writing paper and envelopes. The key trend driving the sector is sustainability, with consumers seeking to purchase materials without contributing to harmful practices such as deforestation.

The Vital Role Played by Stationery in Numerous Cultures Read More »

A different use for Nock Co.’s Burton

Hands up, please, if you miss Nock Co.

Ah ok, thanks.

You can lower your hands again, thanks for taking part.

I’m not surprised so many here miss Nock Co. It’s a real shame they closed down. Their products were well thought-out and of great quality. Luckily, I backed all Nock Co. x Pen Addict Kickstarters, so can still enjoy a few of their pencil cases.

The 2015 Hightower is just a great pencil case.

The 2017 Sapelo fits perfectly in my Lihit Lab A4 sleeve that I use to transport my laptop to work every day – and the quality of the Sapelo so much better than that of the Lihit Lab case.

The 2018 Tallulah is my dedicated Rotring case.

There’s one case however I never really could find a great use for: the 2019 Burton. The waxed surface made me (probably needlessly) worried that it will make items sticky or greasy if the outside comes into contact with them. The inside was somehow too big for my purposes. The look is great though. Outside it is unobtrusive, inside it is happily and very bright green – it’s the bomber jacket among pencil cases.

My new use is not really stationery-related. It’s now my case for an 8 inch portable screen I use for Raspberry Pis. It’s not quite the intended “A5 notebook and some pens” use, but it works very well for me.

A different use for Nock Co.’s Burton Read More »

Montblanc Haus

Earlier this month I had the pleasure of visiting Montblanc Haus in Hamburg, located just next to Montblanc’s headquarters and manufacturing site.

Montblanc Haus in Hamburg
The Montblanc Haus in Hamburg

The visit was part of a trip to Hamburg with my wife and son. We didn’t really know what to expect, so I thought we’d see a small exhibition about Montblanc’s past plus a gift shop, situated in a crammed building. The reality was quite different, though: when we arrived we were greeted by the view of a very modern, purpose-built building.

2 meter high metal shopping bags outside the Montblanc Haus
2 meter high metal shopping bags outside the Montblanc Haus

The surface of the building is wavy in a mesmerising way, showing what I assume is the mountain panorama of Montblanc, the highest mountain of the Alps. Even the landscaping of the outside area was aesthetically in line with the Montblanc Haus.

The outside landscape, as seen from the cafe
The outside landscape, as seen from the cafe

The reception staff was extremely friendly. To entertain children there is also a treasure hunt activity to keep them busy. The exhibition itself is spread over two floors. The building has a third floor, which wasn’t open on the day of our visit.

Montblanc fountain pens, arranged as a mountain
Montblanc fountain pens, arranged as a mountain

I won’t be able to relay the impressive exhibition here, so I am not even trying, but just to give you a quick overview: the ground floor is focussed on Montblanc’s history.

Montblanc inkwells over the years
Montblanc inkwells over the years

The first floor is looking at the production process of Montblanc’s fountain pens as well as the importance of writing.

A letter, handwritten by Albert Einstein. One of a few dozen letters by influential people.
A letter, handwritten by Albert Einstein. One of a few dozen letters by influential people.

The last part of the first floor is linked to one of Montblanc’s latest campaigns: Wes Anderson’s advertising. You can be part of the set (or a copy of the set) used in the 100 Years of Meisterstück campaign video.

I am always impressed by Montblanc’s ability to release pens that are very different to each other. If you look at Pelikan’s piston fillers, Kaweco’s Sport or Lamy’s Safari, AL-Star or even the latest pine green Lamy 2000, the ‘achievement’ of the manufacturers is that you get the same pen in a different colour. It reminds me of my factory tour of Staedtler’s facilities: I mentioned the limited edition colours of the Mars Micro 775, which I was quite keen on, but they were hardly aware of it and mentioned “but it’s just the same pen in a different colour”. Montblanc on the other hand brings out new pens that are very different to each other and are often only available for a few months – with a price tag to match.

There was also a Montblanc shop, selling stationery and more. This includes a special Montblanc Haus fountain pen and ink. Ms Wergin from the shop explained to me, that the ink’s recipe is quite special and was developed specifically for calligraphy. It can however also be used in standard fountain pens without problems. Its consistency is supposedly a little more liquid than that of Montblanc’s main black ink, which helps it dry faster.The ink also consists of several colour pigments, which should give it a particularly deep and rich colour.

The shop in Montblanc Haus
The shop in Montblanc Haus

I didn’t get round trying the ink out yet, as my currently used pens were just recently inked, but I am looking forward to trying it out soon.

Montblanc Haus ink and bag
Montblanc Haus ink and bag

Montblanc Haus Read More »

Staedtler’s sugar cane / corn / olive eraser

double pack of Staedtler's 526 83-5 eraser

Today: a look at a new eraser from Staedtler. I bought this eraser in August at Kaufland, a German supermarket-chain that is part of the same group as Lidl, on offer for €1.09 (~£0.92; $1.16). The normal price seems to be €2.20 (~£1.85; $2.33).

the back of the double pack of Staedtler's 526 83-5 eraser

The packaging advertises it as being made with a minimum of 56% renewable materials. This made me curious to find out more. Luckily Mr. Rüdel from Staedtler was able to provide some more details: the chalk that is typically used when producing this type of eraser has been replaced by olive pomace, i.e. the solid remains of the olives after pressing for olive oil. The eraser has been available since Autumn 2023.

Staedtler's 526 83-5 eraser

According to the official web page for this eraser, the plant flour that replaces the chalk can also come from corn. Additionally, the sleeve paper is made from by-products of sugar cane harvest..

This all sounds great, but the question now is whether the eraser performs well at erasing.

Luckily the 526 83-5 (that’s the official article number) doesn’t disappoint. Its performance is comparable to the well-known Mars plastic eraser, also by Staedtler.

eraser test of Staedtler's 526 83-5 eraser

My favourite erasers are still dust-free ones, but this is a nice performer with the added bonus of being made from renewable materials.


Price: August 2024

Exchange rates: October 2024

Staedtler’s sugar cane / corn / olive eraser Read More »