If they have been left unused for a while it is not uncommon for gel pens / gel refills to stop working properly.
Unfortunately, this means that the more pens you have in your rotation / are using at the same time, the more likely you are not using them enough. That’s just what happened to me.
Top to bottom: Schneider Gelion (in a Caran d’Ache 849), Zebra JSB (in a Holbein x Rotring 600 3 in 1), Stabilo pointVisco
In the case of my Holbein x Rotring multipen the Zebra refill was only two years old. The blue refill is perfectly fine. Being blue meant it got used regularly, but the red refill didn’t get used quite as much, so stopped working. I have replaced it now with a red Lamy refill. The new red colour is grey-ish as is common for ballpoint refills, but it shouldn’t dry out as fast as the vibrant red Zebra JSB refill.
The Gelion refill was older. I actually made a video at the time that shows how to use this refill in a Cara d’Ache 849 …but as the refill was idle for too long it also stopped working.
The final gel-like pen that stopped working recently was Stabilo’s pointVisco. It did survive very long though: I think I got my first pointVisco in 2008, but as I had a set of mixed colours, some of them just weren’t used as much, so stopped working.
There are some common tricks to try to revive gel pens and refills, e.g. putting them in hot water. I tried these trick, but was unsuccessful and have decided to say goodbye to these two refills and the pen.
Cooperations, like the one between Nespresso and Caran d’Ache, often use the letter “x” between the two company names, but Nespresso and Caran d’Ache have opted for the use of the “+” instead, so I will follow their approach.
Before the Fixpencil arrived I expected to see a lead holder that is basically the same as the standard Caran d’Ache (CdA) Fixpencil, just in a different colour, but to my surprise there were several unexpected, but noticeable, if small, differences.
First up: the pen itself.
The surface of the pen, or rather the paint, is less smooth that the other CdA Fixpencils I have handled so far. This surface is not too rough for your fingers and feels pleasant to use. The colour is imitating the aluminium look of the Nespresso coffee capsules.
My pen had three small indentation on the body that don’t seem to belong there. I assume this is a one-off quality control issue.
This Fixpencil is most likely not the only CdA made from recycled aluminium, as mentioned in my previous Nespresso bog post, so I assume the issue with the dents is not a direct result of using recycled aluminium. The dents could probably have occurred with any CdA Fixpencil or other hexagonal aluminium pen, like the 849 and I wouldn’t expect to to be common.
The packaging states that the pen is made from Nespresso recycled aluminium equivalent to one capsule. A very specific claim and as mentioned before I will believe this claim despite some of CdA’s previous claims that were misleading.
When I first used this lead holder I thought the pen feels lighter or ‘hollower’. After using the pen a few times I must have gotten used to it as I don’t notice this anymore, A quick trip to the scales confirmed the initial impression, though: The Fixpencil 22 and the Fixpencil 884 (Junior) both weigh 11.75g, while the Nespresso + Caran d’Ache edition weighs 11.05g.
Top to bottom: Fixpencil 884 (Junior), Nespresso + CdA, Fixpencil 22
The internal mechanism also came as a surprise. The mechanism is the same as in the currently available Fixpencil 884 (Junior). I write “currently available” as the 884 might have contained a different mechanism in the past, but I am not able to verify this.
Correction 4.6.2023: The push button of the Nespresso can actually be removed and has a sharpener built in. I am not sure why I wasn’t able to remove it originally, but now that it has been removed once it is easy to remove it again. This blog post has been updated accordingly.
Next: the lead
To me the Nespresso lead is a big let down. The packaging states that the lead is “partly produced with Nespresso recycled coffee grounds”.
Weight-wise the lead is similar to the CdA Technograph lead, but the surface looks very different: rough and matt instead of smooth and shiny.
This is an interesting idea, but unfortunately, the lead doesn’t write very well, unless you are keen on faint pencil lines. If wonder if those coffee grounds would have had a better use if they were used as fertiliser. Depending on the paper you write on this issue is more or less pronounced, but for me the Nespresso lead’s attributes are nowhere near as desirable as the Technograph’s.
Top: CdA Teachnograph lead, bottom: Nespresso + CdA lead
The lead feels smooth on most paper, but produced a very light line on paper, much lighter than what you would get from Faber-Castell for example. I mention Faber-Castell because the lines produced by their leads are already very light compared to other, like Staedtler for example. Pressing harder when writing with the Nespresso lead won’t help with producing a darker line, i.e. the lead has a high pressure insensitivity.
When you sharpen the lead to a fine point it also seems to break easier than the Technograph lead. To some extent this behaviour reminds me of the Wopex lead, just that the Nespresso lead provides a much worse writing experience. I haven’t had a chance yet to use the Nespresso wood-cased pencil and I doubt I will find someone IRL who owns some and let me try, but based on Pencil Talk’s review of the Nespresso Swiss Wood Pencils, which doesn’t mention the issues I encountered, I wonder if the lead in the Nespresso Fixpencil is worse than the one from the Nespresso pencils.
A side point, but just in case you wonder: the Nespresso lead weighs the same as the Technograph lead.
Overall, this is a nice lead holder with a good, sturdy build. It would have been nice if this Fixpencil came with the same mechanism as the Fixpencil 22. The higher price than normal Fixpencil is due to the fact that this is a Limited Edition – funnily enough that links strongly to Kiwi-D’s and Koralatov’s comments on my previous blog post.
For many years there hasn’t been much going on in terms of new Caran d’Ache mechanical pencils. There is a lot of choice when it comes to ballpoint pens but there wasn’t much to look at in terms of affordable (<£50) mechanical pencils (there are unusually many in the ‘above £500’ range, though).
In recent years this changed to some extent with the 849 mechanical pencil being available in a few new colours and editions, e.g. Black Code. There are, however, not many shops here in the UK that actually stock these.
I am happy to see more mechanical pencils from Caran d’Ache, even though it is basically just the same pencil in different colours. I wish they’d do something else, e.g. offering a 0.5 mm version, but for now, just seeing more colours are a nice change.
Caran d’Ache seems to be starting the different colour limited editions game for their mechanical pencils and lead holders, or maybe not starting it but taking it up a notch, while Lamy is by now really good at the ‘new colour game’. Every time I think I won’t buy another Safari they come up with more good colours: last year the re-release of the original colours, this year the beautiful strawberry and cream colours, with matching clip etc.
Kaweco is also really good at this, with a mix of happy affordable colours and more posh looking ones that are slightly more expensive.
In terms of new innovation there have also been some news.
Been watching videos of the Uni Kuru Toga Dive and the barrel diameter seems wide for what I like in a mechanical pencil. Could be a chonker. https://t.co/46vWCqRSMJ
The new Kurutoga Dive is not only rotating the lead like previous versions, but is also advancing it. It is a capped and a limited edition. I wonder if the cap is there to protect the mechanism when not in use. Maybe the front is not as sturdy (in the current version) as previous Kurutogas with less complicated mechanisms. If that’s the case there might be a regular version without a cap in the future. This thought might explain why this is a limited edition: maybe they want to see first how this mechanism fares in the real world, or the manufacturing process isn’t automated enough for mass market production and some manual labour is currently involved in assembly which doesn’t make it quite mass market ready yet….
I believe that the use of the images in this blog post falls under “fair dealing” as described by the UK Copyright service.
The latest addition to my Caran d’Ache 849 Claim Your Style collection has arrived. I couldn’t resist getting a turquoise one myself after getting one for my wife earlier this year and seeing how beautiful the colour looks. To properly claim it as my style it is again engraved with a computer-related font. The Pen Company did another excellent job with their free engraving. I’m also always amazed how quick they are. I ordered it in the afternoon and it arrived the next morning, engraved exactly how I wanted it.
I fed my new 849 with Schneider’s Slider 755 XB – extra broad and blue. A very smooth refill that offers a lot of line variation compared to normal ballpoint refills, but that, of course, doesn’t lay done a line quite as nice and saturated as a gel refill.
Last year I made two videos about the 849 which might be of interest to you.
If you want a holiday in style (and with nice pencils!) check out the Grand Resort in Bad Ragaz, featured in the BBC TV series Amazing Hotels.
A night there can set you back £10,000, but this will get you 600 m2 of floor space and some nice pencils: You get three Caran d’Ache Edelweiss pencils in HB, a Staedtler Mars plastic eraser and a Pelikan ruler.
Luckily, these days the Caran d’Ache Edelweiss pencil is much easier to find than in 2012 when I did a review here on Bleistift – There seem to be several online shops inthe USA and in the UK selling this pencil now.
You can watch this episode on the BBC iPlayer (if your location allows). The screenshot was taken at 22 min and 58 seconds into the episode.
I believe that the use of the screenshot, taken from the BBC series Amazing Hotels, falls under “fair dealing” as described by the UK Copyright service
