If they have been left unused for a while it is not uncommon for gel pens / gel refills to stop working properly.
Unfortunately, this means that the more pens you have in your rotation / are using at the same time, the more likely you are not using them enough. That’s just what happened to me.
In the case of my Holbein x Rotring multipen the Zebra refill was only two years old. The blue refill is perfectly fine. Being blue meant it got used regularly, but the red refill didn’t get used quite as much, so stopped working. I have replaced it now with a red Lamy refill. The new red colour is grey-ish as is common for ballpoint refills, but it shouldn’t dry out as fast as the vibrant red Zebra JSB refill.
The Gelion refill was older. I actually made a video at the time that shows how to use this refill in a Cara d’Ache 849 …but as the refill was idle for too long it also stopped working.
The final gel-like pen that stopped working recently was Stabilo’s pointVisco. It did survive very long though: I think I got my first pointVisco in 2008, but as I had a set of mixed colours, some of them just weren’t used as much, so stopped working.
There are some common tricks to try to revive gel pens and refills, e.g. putting them in hot water. I tried these trick, but was unsuccessful and have decided to say goodbye to these two refills and the pen.
A fun fact involving pens, taken from the current issue (240) of Retro Gamer: The original design of the Atari logo was created using Radiograph pens.
One constant in the Atari story is its striking logo, long referred to as Fuji after its resemblance to the Japanese mountain. In 1972, Evelyn Seto was a production artist, working for George Opperman who had produced the original design, and it was her task to create the artwork for printing. “This was pre-computers, so it was done by hand,” she explains. “I had to draw and ink the symbol using tools such as French curves and Rapidograph technical drawing pens. We used the font style Harry for ‘ATARI’.
Retro Gamer 240, p. 23
The question is whether these were Rotrings or Koh-I-Noors. It seems more likely they were Rotrings. As far as I know the Rapidograph had been around for around two decades at that time.
Holbein was celebrating its 120th anniversary in 2020. They are the Japanese stationery manufacturer that imported Rotring into Japan and they took on an ever bigger role after Rotring was bought by Sanford and manufacturing was moved out of Germany.
Holbein became a manufacturer in 1946, so you tend to see 1946 being mentioned as their starting date, but their origins lie in 1900 (as a retailer) and to celebrate their 120th anniversary this 3 in 1 Rotring 600 was released last year.
It comes in matt white, which looks very special, probably mainly because that’s not a typical Rotring colour. The 600 3 in 1 is a recent addition to the Rotring lineup and features a black and red ballpoint pen as well as a mechanical pencil.
You change the pen/colour by twisting the knurled top part of the 600. You’ll find more information about this pen in my video.
I have a small update for my 2016 blog post about Massimo Fecchi, the Italian artist who draws comics with the, in my opinion, best proportions, shapes and lines with beautiful variations.
When I asked Massimo about his pencils in 2016 he used a Rotring Tikky II for his initial drawings. Recently, he posted a photo of himself drawing for fans at the Comic Con in Wels, Austria. In this photo, he has switched pencils, or rather pencil models, not the pencil brand. When I asked him he told me that he is now usually using a Rotring 500 in either 0.5 mm or 0.7 mm. He described it as being lighter and more precise than the Tikky II.
I find it astonishing that even though most of us amateurs associate heavier pens, including mechanical pencils, with a more luxurious pen or better quality, while the professionals, in this case, Massimo, who use pencils as tools to get work done value lightness, probably to stop them from getting some sort of finger fatigue.
I believe that the use of this Massimo Fecchi’s photos falls under “fair dealing” as described by the UK Copyright service.
When Scribble offered me to send some Kaweco inks for testing I was quite excited.
My wife and I have, between us, a few Kaweco fountain pens and ink cartridges and in 2012 it got even ‘worse’ when Cultpens had an offer where you could get a free Kaweco Twist and Out Cartridge Dispenser, that offer involved buying even more cartridges.
..but recently I started assuming that the Kaweco inks have some special properties, based this sentence Cultpens had in their description of Kaweco inks:
The colours and character of these inks is very reminiscent of the long-discontinued rotring inks.
..so Scribble’s offer was very much appreciated.
Well, Cultpens has now removed this sentence from their web site, but nevertheless, I was intrigued. What are those colours and characteristics? They’d have to be somehow special to be worth mentioning. I wouldn’t be surprised if neither Rotring nor Kaweco make/made their own inks, so maybe all of these inks are made by a third party, probably a German company, so are these inks maybe even identical?
Luckily I still had some NOS Rotring ink (even unopened) from many years ago. These are pretty hard to come by these days. I only found one on eBay USA and one on eBay in Europe.
I didn’t know what to expect from the Kaweco and Rotring ink, so the whole thing was more exploratory and I didn’t have any hypotheses, mainly because I wasn’t even sure what Rotring’s magic ink properties are supposed to be.
To find out more I thought I compare the Kaweco and the Rotring blue to some other blues. Unfortunately I didn’t have what I would think of as the standard blue, Pelikan’s royal blue, at home. I also didn’t have Lamy’s blue. I guess after writing with these for more than a decade when I was in school I wanted to try some other inks and never stocked up one them again.
For comparison, additional to the Kaweco and Rotring, I picked Diamine’s Blue Velvet (one of the 150 years anniversary ink) and Cartier Blue (or should that be must de Cartier, as written on the ink bottle?).
Well, I wasn’t disappointed, but as I mentioned, I didn’t have any expectations either. The Kaweco Royal Blue is definitely a different ink than the Rotring Brillant Blue, also called Ultramarine. To be honest, there are so many languages on the box, I am not sure whether Ultramarine is supposed to be the English name for this ink or the ink in another language, but I have seen people call this ink Ultramarine on the web, so it might help identifying this ink.
The Kaweco Blue is stronger and less red than the Rotring Brillant Blue. Have a look.
The Rotring is the least blue and most red ink in this comparison. It is however still a proper blue ink.
The Diamine Blue Velvet is strong and dark and certainly happier and less serious than the Kaweco (oh my, this is getting very subjective now).
The Cartier Blue is probably the most reserved and modest of the bunch.
Well – I am still not clear about these properties of the Rotring and the Kaweco that Cultpens hinted at without going into any details.
Maybe some water can help to solve the mystery?
No. I’m still not any closer to finding out what these properties are. Well, it doesn’t matter though. They are all nice blues. I wonder which one I should try next in a fountain pen…
By the way, I used a dip pen with a Brause No 361 nib (Shangching calls this nib the blue pumpkin), to make it easier to control ink cross contamination. This results in much more ink being out on the paper than with your average fountain pen.