Derwent

Pencil Paraphernalia and a Pretty Pencil Pin Pendant

Today: pencil paraphernalia and a pretty pencil pin pendant.

My wife bought them for me last year in the Cumberland Pencil Museum shop.

Derwent Zincwhite
Pencil keyring and fridge magnet
Derwent Zincwhite surface
A closer look at the surface


If you have seen this year’s first Faber-Castell newsletter [1]If you haven’t seen it yet: You’ll also find an article about our pencil community’s own Sean, who is the man behind Contrapuntalism and The Blackwing Pages, in the newsletter. these two items might remind you of the fountain pen our favourite count [2]Usual disclaimer as mentioned previously: He is not really a count. According to Part 2, Section 1, Article 109(2) of the Weimar Constitution privileges based on birth or social status and titles of … Continue reading received for his 70th birthday: the pen’s barrel looks rather similar [3]…but is probably made from Castell 9000 pencils. Just like the Derwent pencils these two items are made in the North of England. The company behind the fridge magnet and the keyring is Zincwhite from Huddersfield [4]I certainly won’t be able to mention Huddersfield without mentioning that Professor Sir Patrick Stewart is Chancellor of the University of Huddersfield..

Nice!

 

References

References
1 If you haven’t seen it yet: You’ll also find an article about our pencil community’s own Sean, who is the man behind Contrapuntalism and The Blackwing Pages, in the newsletter.
2 Usual disclaimer as mentioned previously: He is not really a count. According to Part 2, Section 1, Article 109(2) of the Weimar Constitution privileges based on birth or social status and titles of nobility were abolished in the Weimar Republic in 1919. Graf (Count) is just part of his surname. In reality no one seems to care about this rule though. I assume this rule hasn’t been broken in the latest book about Faber-Castell, when his wife is referred to as Gräfin (Countess), because adapting the “surname” to the gender of a person seems to be permissible. As you can see, the whole issue is rather complicated.
3 …but is probably made from Castell 9000 pencils
4 I certainly won’t be able to mention Huddersfield without mentioning that Professor Sir Patrick Stewart is Chancellor of the University of Huddersfield.

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The Snowman and The Snowdog

Pencils sorted by colour (© Rare Day)
Pencils sorted by colour (Image © Rare Day)

The Snowman

I know, Christmas is over, but the weather is still fairly wintery and it’s just starting to get warmer now, so you might forgive me if I wrote about snowmen. Since 1982 Channel 4 has been showing The Snowman every year for Christmas. It’s a 26-minute animation drawn using pencils.

A blue Prismacolor pencil at work (© Rare Day)
A blue Prismacolor pencil at work (Image © Rare Day)

I don’t think The Snowman is very well known outside the UK, but if you’re not on the British Isles you might know another animation from the author Raymond Briggs: When the Wind Blows.

Are these Caran d'Ache pencils? (© Rare Day)
Are these Caran d’Ache pencils? (Image © Rare Day)

According to the Cumberland Pencil Museum, where you can see a making of video, it has been drawn using Derwent Cumberland pencils.

A Mars Lumograph in the Lupus Films Studio (© Rare Day)
A Mars Lumograph in the Lupus Films Studio (Image © Rare Day)

The sequel

To celebrate the 30th anniversary of the animation Channel 4 made a sequel: The Snowman and The Snowdog. When I first heard about the sequel I was sceptical and didn’t expect it to be hand drawn using pencils, but to my surprise it’s hand made using pencils. The sequel cost £2 million and according to a documentary about the making of the sequel 200 000 sheets of paper and 5000 pencils were used.

Prismacolor 20044 blue (© Rare Day)
Prismacolor 20044 blue (Image © Rare Day)

In a documentary, also shown on Channel 4, you can see all sorts of pencils being used in the studio in North London where the cells were hand drawn. I was surprised to see fairly few Derwent Cumberland pencils [1]I would have thought that Derwent Cumberland would have an interest in sponsoring this movie – 5000 pencils wouldn’t have been a lot for them.. The pencils visible in the documentary don’t have to be representative of those used for the animation, but the pencils you get to see in the documentary are not from Derwent – they are mainly Prismacolor pencils. The 20044, an eraser-tipped blue pencil, seems to be particularly often used for outline animations [2]If that’s the right word. . I believe the reason blue is being used is because cameras or copiers will ignore this colour or shade of colour, so that sketch lines don’t need to be erased and the final black lines can just be drawn over the sketches [3]I first read about this when I discovered Staedtler’s non-photo-blue pencils.. You can also see some Caran d’Ache pencils, Staedtler’s Mars Lumograph and two mechanical pencils, which I think were both Pentels.

Some of the pencils in the home of Raymond Briggs (© Rare Day)
Some of the pencils in the home of Raymond Briggs (Image © Rare Day)

Some scenes were filmed in Raymond Briggs’ House where many Derwent Cumberland pencils were visible and where you can also see him using a Staedtler Mars Lumograph.

 

Composer Ilan Eshkeri is using a red and blue pencil during recording at Abbey Studios (© Rare Day)
Composer Ilan Eshkeri is using a red and blue pencil during recording at Abbey Studios (Image © Rare Day)

The images in this blog post have been taken from Rare Day‘s documentary How the Snowman Came Back to Life. I believe that the use of the images shown in this blog post falls under “fair dealing” as described by the UK Copyright service.

The Snowman and The Snowdog (© Lupus Films, Rare Day)
The Snowman and The Snowdog (Image © Lupus Films, Rare Day)

References

References
1 I would have thought that Derwent Cumberland would have an interest in sponsoring this movie – 5000 pencils wouldn’t have been a lot for them.
2 If that’s the right word.
3 I first read about this when I discovered Staedtler’s non-photo-blue pencils.

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A trip to the museum …and a new sharpener

Thank you for the anniversary comments. I was hoping to get this blog post out by 21 November, the third birthday of this blog, but unfortunately I didn’t find the time. Anyway here’s the first blog post in the fourth year of Bleistift.

The Cumberland Pencil Museum

 

The museum

Considering that I don’t live too far away from the Cumberland Pencil Museum, both the Museum and I are in North West England, it took me quite a while to get there – but this May my wife and I finally made the trip. The weather was fantastic and the Museum managed to convey a lot of information despite being rather small. Admission is £4 (~$6.40; €4.95), but comes with a ‘free’ souvenir pencil.

How pencils are made – temporary(?) mural outside the museum. Notice the “i” in weird.

There were explanations how pencils are made and you could admire historic pens and pencil and machines. I will only show one photo from inside the museum as I haven’t asked whether they permit the posting of photos taken in the museum on the web.

On exhibition: Cumberland pencils from the 1920s

There was a pencil labelling machine, too, but unfortunately it was broken at the time …I would have really liked to get some personalised pencils.  A subsequent enquiry regarding the pencil labelling machine was not as helpful as it could have been, so I decided not to chase this up further. Maybe the machine will work again if I go there again in the future.

The Pencil Museum Shop

Obviously I couldn’t resist stocking up on pencils in the museum shop. The shop’s selection is aimed at artists, but if you use pencils for office purposes you’ll also find nice products. Pencils are from Derwent, who are running the museum, but you can find pencil related items from other brands.

The Eisen 060 sharpener, top

 

The sharpener

One of the products I picked up in the museum is the Eisen 060 [1]Eisen changed their web site. The pages are only available in German at the moment, so unfortunately all links to Eisen are to their German product page. . I like this sharpener because the rounded corners make it “different” while still maintaining the classic wedge shape look [2]Eisen’s classic wedge sharpener is the 040.. I paid £1 (~$1.60; €1.25). This sharpener’s body and blade were both made in Baiersdorf near Nuremberg. The 060’s produced in the last three years still feature the blade made in Baiersdorf, like all Eisen sharpeners, but the body is now made in Taicang near Shanghai. Performance of this little sharpener is very good, too.

The Eisen 060 sharpener, bottom
Technical Information (adapted from Pencil Revolution)
Type wedge / blade
Material Magnesium-alloy
Shavings Receptacle None
Angle 24° – 25° [3]I measured 25°, the official figure is 24° which is also the one I used for in the list of sharpeners
Markings “MADE IN GERMANY” (blade); Eisen logo plus “Made in Germany” (body)
Place of Manufacture Baiersdorf (Germany) and Taicang (China)
The Eisen 060, a Wopex and the Museum pencil

 

Giveaway

As this is a (belated) birthday blog post I am giving away an Eisen 060, some British-made Staedtler pencils and possible a few other small items I can find. I am happy to send the prizes to any country as long as Royal Mail doesn’t refuse to send them there. I will use random.org to get a random number and the author of the corresponding comment will get the price (unless I am the author or the comment is definitely spam). To take part please leave a comment for this blog post before Friday, 30th September 2011, 23:59 UTC.

 


Prices: May 2012

Exchange rates: November 2012

I would like to thank Stephan Eisen for providing additional information regarding the Eisen 060.

References

References
1 Eisen changed their web site. The pages are only available in German at the moment, so unfortunately all links to Eisen are to their German product page.
2 Eisen’s classic wedge sharpener is the 040.
3 I measured 25°, the official figure is 24° which is also the one I used for in the list of sharpeners

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