Tachikawa School G for Manga 0.2 ~ 0.5

It’s fountain pen day – time for another fountain pen related post.


The pen

This time: the Tachikawa fountain pen, model School G for Manga. It comes with an extremely fine nib which for line widths from 0.2 mm to 0.5 mm. If you think that’s fine –  Tachikawa offers an even finer nib as well as version of this pen with sepia coloured ink. Just to help avoid confusion: Tachikawa also has a reputation for making very good flexible nibs for dip pens, one of them is called the G nib, but that’s a different nib. Tachikawa School G for Manga 0.2 ~ 0.5


The price

I got my Tachikawa pen a few months ago from Fudepens, together with the Pentel Ain Click eraser I wrote about earlier this year and other products. As far as I know Fudepens is only selling the 0.2-0.5 mm version, which costs €7 (~$8.70; £5.50), not the versions with other nibs or ink colours.


The ink

The pen comes with a adivce on a little yellow piece of paper. One of the recommendations suggests using the pen at least once a week. The implication is the “special quick-dry ink” might otherwise clog up the feed. The ink is really black, similar to Indian ink, which is probably why it is easier to clog up the pen.

Tachikawa School G for Manga 0.2 ~ 0.5

Writing  & line width

As you might have expected – a fountain pen with such a fine nib is rather scratchy. As mentioned earlier the body of the pen suggests a line width of 0.2 mm to 0.5 mm, but when I writing without applying much pressure the line width is not even as wide as that I get from my Faber-Castell Ecco Pigment 0.1 mm fine liner pen. You can vary line width by applying more pressure, but you have to use quiet a bit of pressure (at least with the pen I got) to get a line of ~0.5 mm – so much pressure that you have to write slowly to control the line.



An interesting fountain pen if you want a very fine line. It does produce a very clear line that is easy to see, despite being so exceptionally thin, thanks to it’s blackness. In comparison other black pens, like the Faber-Castell Ecco Pigment 0.1 mm look grey-ish, even though that is not easy to see on my photo, where I compared them on a Black n’Red Polynote A7.

Compared to other pens
Compared to other pens

I would like to thank Fudepens.com for the Tachikawa School G for Manga fountain pen, which I got sent for free. I don’t think the fact that I didn’t pay for the pen influenced my opinion of this pen in any way.

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Pentel Ain Clic

After seeing my link on facebook about the effects of erasers on paper [1]Sorry, I didn’t find an English, only  a Dutch and a German version of the paper. you must have guessed that the next post is about erasers, so today: a belated blog post about the Pental Ain Clic, an eraser in a pen shaped holder [2]Previously reviewed at East…West…Everywhere.. There are strong links to the recent Temagraph blog post: More or less the same eraser is also available under the Temagraph brand.

Temagraph eraser (Image © Fila)
Temagraph eraser (Image © Fila)

I don’t own the Temagraph version though, so my blog post is based on the Pentel Ain Clic version, which was sent to me by Fudepens.com, where it currently retails for €4 (~$5.50; £3.30). If you like their products: they do ship internationally and orders over €30 get free international shipping.

Pen Erasers Overview
Different erasers in pen shaped holders.


The main difference, compared to other erases that come in pen shaped holders, is that the eraser core is triangular. This means that you usually end up having a ‘corner’ of the eraser left when you need to erase small, tricky traces of graphite – a bit like Kokuyo erasers, just not that extreme. The problem with the round eraser sticks is not so much that the area you end up erasing is too big (the end of the stick ends up, more or less, in the shape of a half sphere. If you think of a ball lying on the ground, the contact area with the ground is very small), the problem is more that the point where you erase is difficult to control, because it is difficult to see where the eraser will make contact with the paper. This is where the triangular shape comes in handy, but the pointy corners you see in the picture will of course round off, too.

Pentel Ain Clic
New and unused, let’s try it out next….


The body of the Ain Clic eraser is made in Mexico, while the eraser itself is produced in Japan and is composed of PVC and DINP. Just a warning, the P in DINP stands for phthalate, which you might have come across in the news. In the EU DINP is banned in toys and childcare articles that children can put into their mouths (see European Directive 2005/84/EC [3]http://ec.europa.eu/health/opinions/en/phthalates-school-supplies/glossary/def/dinp-di-isononyl-phthalate.htm ). This eraser doesn’t seem to be marketed at children, but I would keep in mind that it contains phthalates and would keep it away from children (or adults tempted to put it in their mouth). It might also be advisable to put the eraser crumbs in the waste bin ,instead of just blowing them off the paper, so they don’t end up on the desk or floor.

The Staedtler Mars plastic eraser stick 528 50, used in the comparison, did contain phthalates in the past (as shown in the paper about the effects of erasers on paper), but the current product specification sheet shows that the Mars plastic, which is also PVC based, is now phthalate free. I hope Pentel will change the Ain Clic in the future and will switch to a more ‘human friendly’ plasticiser.

Pentel Ain Clic


The Ain Clic doesn’t only look good, performance-wise it’s also very good.

When just erasing with a single stroke (maybe more suitable for artists) performance is not too good, but when repeatedly moving the eraser across the graphite to be erased (which, I would think, is the standard way of doing it) performance is great. With repeated movement graphite doesn’t stick to much too the eraser and the eraser dust will roll up into strands – I like erasers where the dust rolls up like that.

Comparison on Banditapple 3G paper. The shaded areas were erased using eight strokes (Mars left, Pentel right)


Overall a great and good looking eraser, but the use of DINP is a black mark against it and the eraser shouldn’t be given to children.

I use pencils and erasers for writing, where I don’t need to eraser very fine details, but I can imagine this being an eraser very suitable for artists.

I would like to thank Fudepens.com for the Pentel Ain Clic, which I got sent for free. I don’t think the fact that I didn’t pay for the eraser influenced my opinion of this eraser in any way.


I would like to thank Pentel USA and Staedtler for the additional information they have provided about their erasers.


The photo of the Temagraph eraser is © Fila. I believe that the use of the photo shown in this blog post falls under “fair dealing” as described by the UK Copyright service.


I bought the Staedtler Mars plastic eraser stick at Granthams, a local art supply shop. I paid between £1 and £2 for it, but I can’t remember how much exactly.


Price (for the Pentel) and exchange rates: April 2014.


1 Sorry, I didn’t find an English, only  a Dutch and a German version of the paper.
2 Previously reviewed at East…West…Everywhere.
3 http://ec.europa.eu/health/opinions/en/phthalates-school-supplies/glossary/def/dinp-di-isononyl-phthalate.htm

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