For this simple point protector you need some old paper and sticky tape. I usually use the reverse side of calendar sheets to make notes, but the sheets of this Dutch calendar (see first picture) with Donald Duck comics are printed on on both sides. As I cannot use them for notes I will use them to make the point protectors. Maybe you also have some old calendar sheets somewhere. Just divide a calendar sheet into three equal strips. If you use other paper cut it into strips about as long as a pencil and a quarter of a pencil length wide. Roll the paper around the pencil and fix it with sticky tape. To increase stability you might want to close one end of the cylinder you just created. Either fold the end over and fix it with stick tape or just use sticky tape to close it without folding the end over.
Some pencils, like the Staedtler Wopex, have a rubber-like surface which is nice when as it gives you more grip but makes removing the point protector difficult. In this case just put some sticky tape on the inside of the protector to reduce friction.
The point protector protect the point of your pencil and will help to keep the inside of your pencil case graphite mark free.
When it comes to the recognition value of their pencils there is one company that – in my opinion – does by far the best job: Staedtler. Compared to other companies in this industry Staedtler is quite unusual as the company belongs to the Staedtler foundation whose main purpose is the promotion of scientific research… but I digress. Let’s get back to the pencils: As much as I like to use pencils from other companies, the Faber-Castell 9000 for example, for me the archetype of a pencil is the Staedtler Noris, available in two versions: as the 120 (without eraser) and as the 122 (with eraser).
The Noris is a pencil that is very common in Europe, but I would not say that it dominates the market. Noris as a brand name for pencils has been registered in 1901 and the name Noris itself is closely related to Staedtler: the nymph Noris is the personification of Nuremberg, the city where Staedtler has its headquarters. The Noris pencil is definitely quite popular in Germany. In UK it is also quite popular: in supermarkets you can usually find at least two types of pencils, often more, but a no name pencil and the Staedtler Noris seem to be the common denominator.
Somehow the look of the Noris is easy to remember, but this is not a feature unique to the Noris: Staedtler also did a great job in that respect with some of their other pencils: the tradition and the Mars Lumograph. These three models are instantly recognisable and unless you count the yellow Koh-I-Noor which was not the first yellow pencil, but seemed to have sparked the popularity of yellow pencils in America they seem to be the most copied pencils in the world.
The Staedtler Noris was the antetype for the Chunghwa 6181, reviewed at oh! super tooth, but even though the Noris has probably been less often copied than the tradition and the Mars Lumograph, it can be seen on TV more often, usually used by somebody who is probably not even aware what make or model it is.
In one episode of Black Books the main character is using a Noris to control who is allowed to talk. I just saw the Noris again last week in a BBC documentary unrelated to pencils, and I see an icon that looks like the Noris on a daily basis in Okular, the document viewer in KDE 4.
Slightly younger than the Noris, with Mars being registered as a pencil brand in 1900, but with the Lumograph being released about 30 years later, the Mars Lumographwould probably have to top the list when it comes to how often the look of a pencil has been copied by no name pencils. I have seen no name pencils with the look of the Mars Lumograph, but without any writing on it countless times. Sometimes you can also see copies of this pencil with the name of the manufacturer on it, e.g. the Chunghwa Drawing pencil, reviewed at Blyantsiden (Google translation) or the Medicise Drawing pencil 9002. Of course the Mars Lumograph also got its fair share of TV presence. Just to name one example, there is a Derrick episode from the Seventies where a secretary is using a pencil, unmistakably a Mars Lumograph.
The distinct look of the Staetdler pencils makes recognising them so easy. This must surely be an important factor that influences the decision of customers when they are in front of a shelf of pencils and need to decide which pencil to buy.
Unfortunately Staedtler stopped producing pencils in Australia and Great Britain, but some shops still have stock left that was produced in these two countries. You might know where this is going… After this really long-winded introduction I will now compare Staedtler pencils from different countries, to be more precise: I will be comparing the Staedtler tradition 110 from Australia, Germany and Great Britain. For this comparison I used recently produced pencils from the three different factories. It would be wrong to assume that there is no variation in the production, so please do not take this comparison too seriously.
When comparing the different HB versions Even though I have most grades of the British (actually Welsh to be precise) and of the Australian tradition I only have the HB version of the German tradition. you can see that the Australian version has the thinnest layer of paint. I have to say that I actually like it, because you can see the texture of the wood through the paint. On a negative note I also have to add that the Australian pencils (all grades) have the paint applied less consistently. All pencils came pre-sharpened, but the pencil from the German factory has been pre-sharpened using a different method than the other pencils. The pencil from Great Britain is definitely softer than the other two. It also smudges a bit more. When I tried to erase all three using the Mars plastic eraser pen (528 50) there was no real difference between the different pencils.
Comparing the Australian 4B and the British 4B I also thought that the British pencil was a tick softer, but this was definitely not as noticeable as it was for the HB pencils. Using the Mars plastic eraser pen the Australian 4B was maybe a bit easier to erase than the British 4B, but again there was not a big difference.
Conclusion: The tradition is a really good pencil. I am not sure why, but the German Staedtler web site lists the tradition in the artist category, not in the category for pencils used for writing. Nevertheless the tradition is very suitable for writing. Stock of Australian and British tradition pencils will be exhausted soon, so get some while you can …not that the performance of the German tradition is worse, but if you just spent a few minutes reading this post you must be pencil-crazy enough to want the Australian and British version as well.
I would like to thank David from Dave’s Mechanical Pencils for the selection of Australian pencils, including the Staedtler tradition, he sent me.
The photo of Stephen Wiltshire using a Staedtler Tradition has been taken from Top Gear Episode 5 of Series 14. I believe that the use of this image falls under “fair dealing” as described by the UK Copyright service.
The pencil icon has been taken from Okular, the document viewer in KDE 4.
Like the Nataraj 621, reviewed at pencil talk, the Reynolds432 is a pencil from India with a design very similar to the Staedtler tradition. The differences in appearance are minor.
All three pencils are red with dark coloured stripes. While the Staedtler tradition and the Nataraj 621 have black stripes, the Reynolds 432 has blue stripes.
All three pencils are hexagonal, but the Staedtler tradition and the Reynolds 432 have the stripes on the edges, the Nataraj has the stripes on the faces.
All three are eraserless with different finished caps. The quality of the finished cap of the Nataraj is rather poor.
The history of Reynolds is a bit complicated.
Milton Reynolds from Chicago established the Reynolds pen company in 1945, but the company was later bought by Edmond Regnault who was running a successful pen company in France since 1927. Since 1974 the company was run by Edmond Regnault’s sons until it was sold to investors in 1993.
The company behind the Reynolds 432 pencil, G. M. Pens International Pvt. Ltd., introduced the Reynolds brand to India in 1986 and is the exclusive Licensee of Reynolds, France. Newell Rubbermaid bought Reynolds in 1999/2000, which is now part of Sanford Reynolds SA, and closed the factory in France in 2007, sparking a boycott of products from Reynolds and Newell Rubbermaid.
Today Reynolds India produces all kinds of pens, including two different types of wooden pencils and two different types of mechanical pencils.
Reynold’s website highlights the following features of this pencil, available only in HB
Specially bonded lead for extra strength
Special quality lead for clean, fine impressions
Conforms to European standards of child safety
Soft wood for easy sharpening
The fact that there are paws printed on the 432 and the child safety standards mentioned on the web site seem to suggest that this pencil is aimed at children, but the “conservative look” of the pencil would suggest otherwise.
The wood used for the Reynolds 432 seems to be the similar to the wood used for the Nataraj 621. In a comment to the Nataraj 621 review at pencil talk Harshad Raveshia identified the wood used for the 621 as Vatta wood (Macaranga Peltata). The wood used for the 432 has a similar appearance, but is not red. Instead I would describe the colour as slightly yellow. It could of course still be the Vatta tree, just coloured differently, or it could be a normal deviation expected for this type of wood.
A few other observations:
The diameter of the Reynolds 432 is a bit bigger than that of a Staedtler tradition.
The lead of the Reynolds 432 seems to be slightly harder than that of the Nataraj 621.
I did not have any lead breakage with the Reynolds 432, but I did encounter this problem with the Nataraj 621.
The hardness of the 432 HB’s lead can be roughly compared to the hardness of a Mars Lumograph 2B or a Faber-Castell 9000 3B.
The wood is a bit harder than the wood typically used for pencils in Europe. This might have implications for the blade of your sharpener, but other attributes of the wood, like the texture and appearance are very pleasant. Writing with the Reynolds 432 is fairly smooth and overall this is a very nice pencil.
I would like to thank Sameer Khanna who agreed to swap the Reynolds 432 and the Nataraj 621 for two Staedtler Noris pencils.