On the day of the Scottish referendum: Nessie!
I bought these push pins from Tesco in July 2014. They were on offer – I think Tesco was trying to get rid of their SUCK UK products to make space for their own products. I only paid £3 (~$4.90; €3.80). The official price seems to be £7.50. Each pack contains six heads, six tails and twelve middle bits of Nessie.
Unfortunately there wasn’t enough time in the last few weeks to write blog posts – but just to prove that this blog is still being looked after here’s a very quick post.
Sean was kind enough to let me know about this box, which was being sold on an auction site. It’s a wooden box that was used to sell Faber-Castell sharpeners.
My guess would be that it’s from the 1950s or 1960s, but I might be wrong there. The window in the lid is plastic/ thick foil, not glass. There’s a sticker at the bottom, listing the prices for the different sharpeners. Not all of these sharpeners have disappeared by now.
I’d like to thank Sean for telling me about this box.
I’m not a big fan of spiral bound notebooks or notepads. Spiral binding will usually put me off buying a notepad, but in the case of the spiral bound, Chinese made nu: tough paper I couldn’t resist.
I saw this notebook in the supermarket run by my employer’s /my university’s students’ union and the words “paper made from stone” managed to grab my interest at first sight.
The paper is made from 80% ground limestone / chalk and 20% HDPE (many plastic bottles are made from HDPE) and promises to be water-proof, wipeable, tough, durable and, to my surprise, recyclable and biodegradable I don’t know much about plastic, so I would very much appreciate if someone could explain biodegradable in the context of HDPE. A quick look on the Internet seems to suggest that you can make … Continue reading
How does the paper behave?
Compared to normal paper the pencil line left on this ‘stone paper’ feels much darker . The line also feels wider. Applying less pressure when writing will also produce a fairly dark line, more so than writing with less pressure on normal paper. I suspect this behaviour is caused by a rougher paper surface. You can certainly feel more friction when moving a finger across the ‘stone paper’, compared to normal paper.
How does the ‘stone paper’ compare to similar products? The lines left on this paper are also darker than those a pencil would leave on paper from a Rite in the Rain notepad. Altogether, this paper produces an unusual, but pleasant pencil writing experience.
..with fountain pens
Let’s stick to the similar Rite in the Rain notepad for a moment. It’s pretty useless when you want to use it with a fountain pen. The ink just stays on the surface of the paper, it might even form tiny droplets …until it eventually dries. Because the ink didn’t really penetrate the top layer of the paper the colour of the writing is usually quite light. The behaviour of fountain pens and ink on nu:’s tough paper is quite different. The written text even looks very similar to text written on a normal piece of paper, with two differences:
there is an absence of visible texture on the ‘stone paper’, in my opinion this does influence the look of ink more than the look of graphite
the moment your fountain pen is a wet writer, even if only to a very small degree, the ink will take a really long time to dry.
On the above image you can see text written by a Kaweco Sport with an EF nib. The cartridge was empty and the pen was therefore an extremely dry writer. Drying took a few seconds. The lines made by the Pentel Tradio on the other hand, not a wet writer when I compare it to some of my other fountain pens, took just under 10 minutes to dry. On normal paper the Tradio‘s lines only take a few seconds to dry.
How strong it the paper?
The paper seems to cope better with ‘bad conditions’, like wetness and physical impact. When trying the tear it nu:’s tough paper does behave rather unusual. Unlike the Rite in the Rain paper, which provides a similar ripping experience to traditional paper, ripping the tough paper feels a bit like ripping thin sheets of plastic. This is probably cause by the HDPE content. Normal paper usually rips in such a way that a sheet of paper lying horizontally will not be separated by a clear vertical line. Where the traditional paper is separated one half of the torn paper might contain more of the top layer of the paper, while the other half of the paper might contain more of the bottom layer of the torn paper. The tough paper however seems to stretch a bit where you tear, then separate clearly, while the stretched part curls slightly. It feels rather plasticy.
Altogether a nice notepad. It’s an interesting novelty and I’m sure I’ll enjoy using it, but I’m not sure I’ll buy more once the novelty effect has worn off.
I paid £2.50 for this notepad. It’s spiral bound, has a tough cover and back, and has 160 sheets of paper.
I don’t know much about plastic, so I would very much appreciate if someone could explain biodegradable in the context of HDPE. A quick look on the Internet seems to suggest that you can make HDPE biodegradable by changing the recipe slightly. On a different note: biodegradable plastic reminds me of Dave’s biodegradable pencil test.
…the sharpener called grenade, not a real grenade.
Or should that be ‘How not to restore a grenade’? – you’ll see why.
The age and the name of this sharpener even fit with the current 100th anniversary of Britain’s involvement in WWI, which is being commemorated on a national and on a local level – with local museums and libraries in and around Preston (where I live) taking part.
The grenade sharpener design has been around since 1847 see Lexikaliker: Granate and is still being sold today. I got a modern one, which Lexikaliker got me five years ago when I wasn’t able to get one in the UK.
A few days ago I also got my hands on an old version – I was lucky enough to get one for a good price.
First task: clean it. I bought the metal polish used during a previous trip to Germany, after a tip from Lexikaliker on how to clean old brass.
Unfortunately something went quite wrong. There was a band of oxidisation after I left the sharpener in the metal polish over night. It now looks as if there’s a dent where this band was. Brass is missing in this dent, which is difficult to see on the photos, but quite obvious in reality.
I have two ideas as to what might have caused this.
The brass composition was different where this band /dent is, so the polish could ‘erode’ the material there. This explanation seems unlikely.
I shouldn’t have but the blade and the screw in the same polish. Maybe the metal somehow reacted with the polish which made it ‘corrode’ the brass.
Ok. I got to live with my mistake now, but if I ever get another chance I will keep the blade and screw separate.
Next problem: The blade. It seems slightly too short to cut into the wood. I’ll talk about that another time.
This is my second blog post about pencils that The Pen Company sent to me They send pens to several bloggers. You don’t have to pay for the pens, but are expected to write a blog post about the pens.. The original blog post can be found on their blog.
Me and Lamy, Lamy and I
You might not have guessed, because of the lack of Lamy posts on Bleistift, but Lamy is one if the stationery brands I feel strongly connected to. It all started about 1985 when I got my first Lamy Safari fountain pen. From that point onwards I only used Safari fountain pens in school. After I left school I didn’t use fountain pens on a daily basis any more and temporarily lost my link to Lamy. I did buy the occasional Lamy pen, though, until finally, in 2008, I rediscovered Lamy as one of my favourite brands after I got a Lamy 2000 fountain pen.
Volker Albus, architect and designer: Just think of his Scribble writing set for Lamy. Seldom have the central functions and haptic requirements of such a twist action pen been translated so precisely and at the same time unmistakably into an aesthetic vocabulary.
Studio Hannes Wettstein (2011, p. 151)
Lamy and pencils
I was quite excited when Lamy’s wood cased pencils came out in 2010, even though, for my taste, they are a bit too soft for daily use. I have also bought a few of their mechanical pencils and I have been tempted on several occasions to buy a Lamy 2000 or Lamy scribble mechanical pencil. So, naturally, I was very excited when I received two Lamy scribble pencils from The Pen Company, the Lamy scribble 0,7Germany, like most European, African and South American countries, adopted the comma as their decimal mark.Mechanical pencil and the Lamy scribble 3,15Mechanical pencil. Because of its width I’d actually call the 3.15 mm version a lead holder, but I’ll go with the official name here, according to which it is a mechanical pencil.
The design – the process
First computer designs and prototypes of the scribble were created in 1997 by Swiss designer Hannes Wettstein, one of Switzerland’s most important designers see NZZ: Suche nach den Archetypen von morgen, 7 July 2008. This was followed by two more prototype series in 1998 that lead to the final drawings in 1999. I’ll write more about the design later in this blog post. Overall, the development time of the scribble took less than two years.
The design – the colours
The current version of the scribble features what I tend to see as a classic colour combination: black and silver. It is a colour combination that I associate with simple design that follows functionality. Interestingly enough many of the great black and silver products I can think of feature a similar distribution between the two colours: lots of black and a bit of silver – and they also try to avoid unnecessary design elements that don’t contribute to the products function.
Another version of the scribble was available until 2010. Instead of fittings with a palladium finish it featured fittings in black chrome I’d like to thank Lamy’s Marco Achenbach for this information..
The design – the shape
The bulge in the middle of the short shaft makes SCRIBBLE a highly ergonomic tool. Its ergonomic quality is further enhanced by the flat surfaces, which are cut into the shaft. These flats also prevent the pen from rolling away.
Studio Hannes Wettstein (2011, p. 222)
With 10 mm – 13 mm depending on where you hold this pen diameter the grip section of the scribble certainly has a wider than average diameter. I read in the past that wider grips on pens relieve writing stress and fatigue. I have to emphasise that I didn’t see any such claim from Lamy or Studio Hannes Wettstein, but after having used the scribble for a while I found that writing with another mechanical pencil with a much narrower grip felt much less comfortable, compared to the scribble. Even though the grip section is quite wide the tip is rather slim. This makes it possible to write using with a more acute angle.
The design – awards
It doesn’t come as a big surprise that such an excellent pencil won several awards.
In 2001 the scribble won the Design Plus award in Frankfurt and in 2002it won the if award in Hanover.
The 0.7 mm version
The 0.7 mm version can hold up to 6 leads (if you wiggle the pen a bit to get them all in). It also features a small eraser under the cap that comes with a pin / clean out rod. Each click will advance the lead by about 0.9mm, which is suitable for a 0.7 mm lead.
The 3.15 mm version
The 3.15 mm version has three grooves along the body of the pen. I first thought they are there to support rotating the pen to use up the lead evenly, but they are not close enough to the tip for this, so I assume the grooves are there to visually distinguish the 3.15 mm version from the 0.7 mm version version of the pen. The pen comes with a 4B lead. a bit soft for my taste and unfortunately Lamy only sells refills in 4B, but you can get harder leads from other manufacturers. I assume that slightly thinner leads, like Caran d’Ache’s 3 mm leads will also fit. As far as I know Lamy does not offer a suitable sharpener. So far I have sharpened the lead using a KUM Automatic Long Point sharpener.
Clip and mechanism
Both pens feature a sheet metal clip that can be removed. With 0.65 mm the sheet metal clip is thicker than that of your average pen. Most clips are bent on the corners to give the illusion of volume, but the scribble‘s clip is really that thick. According to Simon Husslein from Studio Hannes Wettstein designing and producing this clip was quite a challenge. I certainly believe that as I was not able to find another pen in my collection with such a thick sheet metal clip.
The lead holding mechanism seems to come from Schmidt. It is featured on page 12 of their catalogue – it’s the second mechanism from the left. The mechanism works very well, but my exposure to lead holders is limited, so I can’t really compare it.
There is also a ball point version available. This seems to be an afterthought that was designed in December 2000. The body is based on the 0.7 mm version body, the one without the grooves.
Hannes Wettstein post scribble
Hannes Wettstein and his studio later also went on to develop the studio for Lamy, which makes him one of the few select designers who designed more than one pen for Lamy. Hannes Wettstein died in 2008, but his design lives on. Current products by Studio Hannes Wettstein are created by Simon Husslein and Stephan Hürlemann and are very close to Wettstein’s design DNA. Look at this Braun watch for example.
It didn’t take long for these two mechanical pencils to become my current favourites. There are other pencils that I like for their design, but I love the scribble because it’s so comfortable to hold (the grip diameter is surprisingly comfortable and the weight distribution is very good, too) and looks so good. It’s just a shame there’s no 0.5 mm version available, but my understanding is that as users of the scribble Hannes Wettstein had architects and designers in mind who want to liberally put their drawing lines on a blank canvas. A thin line just isn’t suitable for that purpose.
I’s like to thank Simon Husslein from Studio Hannes Wettstein for answering all my questions about the scribble patiently. All the information about the design process came from Mr Husslein.